Entry 5: Henry Clay Work, Abolitionist Minstrel

150dpi JPEG image of: Wake Nicodemus

“Wake Nicodemus.” Words and Music by Henry Clay Work.

Release Date: November 23, 1864.

Available: As sung by Burl Ives & as sheet music.

As the end of the Civil War sesquicentennial approaches, so too does the end of one of its most successful elements, the New York Times Disunion Blog. Clay Risen has done a great job curating and editing this collection of thoughtful short essays and I’ve been fortunate enough to be included among its authors. My final contribution will appear in a couple of weeks and discuss the history and resonances of “Marching through Georgia.” I grew to admire the song’s author, Henry Clay Work, while researching my book,  so I’ve decided to devote a couple of entries to some of Work’s lesser-known pieces in anticipation of my Disunion article. Today, I’ll focus on one of his most abolitionist Civil War tunes, “Wake Nicodemus.” Read More

On Morality in Historical Games

In my last post, I fretted about some of the unethical choices I was making in Ultimate General: Gettysburg. I’ve continued to think about the issue over the past couple of days and I have a few more comments because I think for a certain subset of people, these games are the primary way they interact with history. In essence, the central question here is the same that’s preoccupied designers and critics of modern games like Grand Theft Auto: Is something that’s immoral in real life equally immoral in a video game?
Read More

Entry 4: Digital War is Hell

Ultimate General: Gettysburg. Designed by Nick “Darth Mod” Thomadis and Ilias Georgopoulos.

Release Date: October 16, 2014

I’m only a little embarrassed to admit I’ve been playing historical video games for almost three decades. Games like Civilization, Defender of the Crown, and Panzer General actually inspired some of my initial interest in history. It’s difficult to pinpoint what I still like about them, but it’s nice to occasionally engage with history in an uncomplicated and less intellectual way. I came into history as a buff and I like briefly revisiting that mindset. The problem is there’s really no going back. My mind starts considering the historical implications of what I’m doing whether I want it to or not. This can just make a game seem like a dumb waste of time but sometimes it can even make me feel a little guilty, especially if its a Civil War game. Read More

On Women in Civil War Pop Culture

Before shifting away from historical fiction for a few weeks, I want to make a few observations about women in Civil War pop culture. After reviewing Point of Honor and Cold Mountain (heck, even after The Beverly Hillbillies), it occurred to me that stories about the Civil War much more prominently feature female characters than fiction about other American wars. Sure, the Civil War has more than its share of guys-only stories (I don’t think there’s a single woman in Gettysburg, for instance) but it seems to me women are central to the way the Civil War is popularly represented and perceived. Indeed, the most popular and significant fictional treatment of the war, Gone With the Wind, has a strong female protagonist. Read More

Entry 3: Scarlett Gets a Makeover

Cold Mountain Movie Poster

Cold Mountain. Written and directed by Anthony Minghella. Based on the novel by Charles Frazier.

Release Date: December 25, 2003.

In his book on the Civil War in popular culture, Causes Won, Lost, and Forgotten, Gary Gallagher argues that Cold Mountain is, in part, a revision of Gone with the Wind‘s take on Confederate women. I decided to focus on this as I re-watched the film for the first time since it came out in 2003. It didn’t take long for me to realize this is, in fact, the only way to watch Cold Mountain. This movie is all about the ladies. Read More

Entry 2: The Trials of a Confederate Abolitionist

Point of Honor, “Pilot.” Directed by Randall Wallace. Written by Carlton Cuse and Randall Wallace

Release Date: January 15, 2015.

Available: Amazon Pilots

I have a slight soft spot for Randall Wallace’s breakout film, Braveheart (I still remember seeing it at the old Gateway 6 in Brampton, Ontario, as a teenager), so I was determined to remain objective going into Point of Honor. One negative review had already appeared by the time I fired it up on Amazon last night, and both Kevin Levin and Keith Harris had justifiably slammed the trailer. Unfortunately, it only took about ten minutes for me to realize this thing is a train wreck, both historically and artistically. Read More

Entry 1: Granny vs. Grant

https://markosun.files.wordpress.com/2010/03/beverly-hillbillies.jpg

The Beverly Hillbillies, “The South Rises Again,” Season 6, Episode 13. Directed by Joseph Depew. Written by Paul Henning and Buddy Atkinson.

Release Date: November 29, 1967.

Some of you may think The Beverly Hillbillies is a strange choice for my first review, but it makes perfect sense to me. Watching this episode in afternoon syndication is one of my first memories of the Civil War in popular culture. Critics generally think Season 6 is when The Beverly Hillbillies “jumped the shark” because it began with a woeful multi-episode trip to England, but it does contain this gem. I call it a gem because most of the jokes are still funny. What’s more, they’re Civil War jokes—and Civil War jokes (at least good Civil War jokes) are not easy to find. Read More

On Point of Honor

Just wanted to note that I only recently became aware that Amazon is launching a new series, Point of Honor, on January 15. The narrative centers on a Virginia planter family who join the Confederacy but also free their slaves. Ta-Nehisi Coates has already voiced some fair criticisms of the premise on twitter but I’m going reserve judgment until I see it for myself. I’ll try to work in episode-by-episode reviews alongside the things I’ve already planned to cover over the blog’s first few months.

Greetings Fellow Civil War and Pop Culture Geeks!

Available as a t-shirt from LUCON!C

Welcome to my first blog, Civil War Pop. Here, I’ll examine a different piece of popular culture from or about the Civil War every week or so. I am a professional historian and an amateur critic, so my posts will primarily focus on how a film, song, game, story, etc. holds up against current historical consensus (or non-consensus) and how it reflects America’s popular memory of the Civil War Era (roughly, 1850-1876). Read More