Entry 12: E.T. Wins the Civil War

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Ancient Aliens, “Aliens and the Civil War,” Season 7, Episode 9. Directed by Susan E. Leventhal. Written by Rhys Thomas and Max Thompson.

Release Date: April 10, 2015.

Remember when I praised the History [Channel] for including some current scholarship in its most recent Civil War documentary? Well, screw that, because the network aired this historical abomination between the two episodes of Blood and Glory, and I fear crap sandwiches like this are what the current History [Channel] is really about.

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Entry 11: Colorizing the Civil War

Blood and Glory. Directed by Kevin Burns. Written by Kevin Burns, Eric Murphy, Rhys Thomas, and Max Thompson.

Release Date: April 7 & 14, 2015.

I had mixed feelings about this documentary before I’d seen a minute of it. My expectations for a History [Channel] show are pretty low these days, but several names I respect were involved (among them, George Rable, Peter Carmichael, Allen Guelzo, James Oakes, Mark M. Smith). Those names, however, were counter-balanced by others who’s presence was less justifiable (Ben Stein, Richard Dreyfuss, Bill O’Reilly). And then there are those colorized photos that serve as its foundation. I wasn’t a fan from the moment they first appeared. Like their colorized classic film counterparts, the colors are too pastel and there’s something unnatural about them. Then again, any documentary that makes heavy use of Civil War photography can’t be all bad. Now that I’ve seen it, I remain divided. There were things about Blood and Glory I liked and things that really bothered me. I didn’t learn anything new, but it avoided getting too bogged down in the “Football Analyst School” or the more regrettable habits of the History [Channel], and thus emerged as a fairly solid (if somewhat ephemeral) Civil War documentary. Read More

Entry 10: Death, Comedy, and Lincoln

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Our American Cousin. Written by Tom Taylor.

Release Date: October 15, 1858 (in America).

Script Available on Google Books.

Our American Cousin comes down to us primarily as the play Abraham Lincoln was watching when John Wilkes Booth shot him. It also has a reputation for being terrible. However, this was more than just a random play for Lincoln. He and Mary reportedly saw it several times while in Washington, and after viewing and reading it recently, I can see why. It’s humor is precisely the kind Lincoln enjoyed. Indeed, Our American Cousin may have been for Lincoln what something like Anchorman is for me–a piece of popular comedy comfort food that you can settle into and enjoy for its familiarity as much as its humor. Lincoln probably anticipated the final line of Asa Trenchard’s take-down of Mrs. Mountchessington–“you sockdologizing old man-trap!”–the same way I eagerly await Ron Burgundy’s nonsensical insult of Veronica Corningstone, “Why don’t you go back to your home on Whore Island!” But to us, Asa’s line is exclusively remembered as the last thing Lincoln heard before a bullet entered his brain. So, as I suggested doing with “Dixie,” let’s take Our American Cousin out of its April 14, 1865, context and try to cut through the myth and consider why Lincoln liked the play. Read More

“One of the Best Tunes I Have Ever Heard.”

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150 years ago today, Abraham Lincoln publicly declared his love for the song “Dixie.” Having just returned from the recently-captured former Confederate capital of Richmond, he settled back into the White House and soon found himself “treated” to a serenade. These were a common occurrence in 19th Century America, in which groups of people would perform music outside of the homes of people they admired as a show of respect. I put “treated” in quotations because the serenade’s recipient was expected to respond and Lincoln reportedly hated coming up with the necessary little impromptu speeches. According to his contemporary biographer, Joseph Hartwell Barnett, Lincoln once declared (with typical folksiness), “These serenades bother me a good deal, they are so hard to make. I feel very much like the steam doctor, who said he could get along well enough in his way of practice with almost every case, but he was always a little puzzled when it came to mending a broken leg.” Read More

Entry 9: A Tale of Two Marys

Lincoln Movie Poster

Lincoln. Directed by Steven Spielberg. Written by Tony Kushner.

Release Date: November 16, 2012.

I decided early on that I would occasionally invite friends and fellow scholars to write entries for this blog, especially if the subject is something I’ve written about elsewhere. In the case of Steven Spielberg’s Lincoln, not only have I already commented on it (mainly here, but also during my 15 minutes of fame here), I also have an excellent reviewer: my friend and colleague, Stacy Pratt McDermott. As the Assistant Director for The Papers of Abraham Lincoln and the author of a recent biography of Mary Lincoln, Stacy provides a unique and informed perspective on one of the film’s less-discussed characters and I’m just as interested as anyone to read what she has to say. So, without further ado, I’ll turn things over to Stacy… Read More

Entry 8: Lincoln Boldly Goes…

Star Trek, “The Savage Curtain,” Season 3, Episode 22. Directed by Herschel Daugherty. Written by Gene Roddenberry and Arthur Heinemann.

Release Date: March 7, 1969.

I was originally going to write about this deeply strange Star Trek episode further down the road, but Leonard Nimoy died recently, so I’ll offer this post as my own little tribute. I was a huge “trekkie” growing up and still have a soft-spot for the show, but even at the height of my fandom, I knew this episode was a stinker. Just as “The South Rises Again” aired during the The Beverly Hillbillies‘s nadir, “The Savage Curtain” came near the end of Star Trek‘s run, when the wheels were clearly coming off. It’s a typical third season episode–the premise is weak and absurd, and any interesting questions raised by the script are never satisfactorily answered. However, it prominently features the Civil War’s most popular and significant historical figure, Abraham Lincoln, and is therefore worth this blog’s attention. Read More

What Does Point of Honor’s Failure Mean?

Point of Honor is dead! Long live Point of Honor!

By now, many of you know Amazon did not greenlight Point of Honor. Given that the pilot episode was almost universally panned–including by me (other examples are here, here, and here)–we can call this a win for good history and good TV, but I’m reluctant to declare total victory. Viewer votes determine which pilots Amazon greenlights, so Point of Honor‘s failure clearly indicates audiences weren’t impressed. But why weren’t they impressed and what does that mean for the current state of the Civil War in popular culture? Read More

Entry 7: Hurrah! Hurrah! We Bring the Jubilee!

“Marching through Georgia.” Music and Lyrics by Henry Clay Work.

Release Date: January 9, 1865.

Available: Audio by Old Crow Medicine Show and as sheet music.

I’m delighted to announce that my final New York Times Disunion piece is up. As I mentioned in an earlier post, it discusses Henry Clay Work’s most popular song, “Marching through Georgia.” You can read it here. Thanks again to Clay Risen for including me in this awesome endeavor.

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Entry 6: The Civil War’s Feminist Anthem

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“We’ll Go Down Ourselves.” Words and music by Henry Clay Work.

Release Date: December 13, 1862.

Available: audio (fast forward to 33:35) and as sheet music.

I’ll admit that this gem from Henry Clay Work slipped under my radar until I was asked to make some remarks about it for a Civil War music concert at the Newberry Library. My previous research largely focused on the war’s most popular songs and there isn’t much evidence that “We’ll Go Down Ourselves” enjoyed much popularity, then or now, but it’s a fascinating piece for a number of reasons. Read More